{"id":34021,"date":"2023-08-17T11:25:20","date_gmt":"2023-08-17T11:25:20","guid":{"rendered":"https:\/\/stresafestival.jamarea.com\/la-traccia-lasciata-da-monteverdi\/"},"modified":"2024-04-10T04:48:35","modified_gmt":"2024-04-10T04:48:35","slug":"la-traccia-lasciata-da-monteverdi","status":"publish","type":"post","link":"https:\/\/www.stresafestival.eu\/en\/la-traccia-lasciata-da-monteverdi\/","title":{"rendered":"The trace left by Monteverdi: the same marvel from four hundred years ago"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"34021\" class=\"elementor elementor-34021 elementor-29172\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-78aceccd elementor-section-full_width elementor-section-height-default elementor-section-height-default qodef-elementor-content-no qodef-elementor-stretch-row-no qodef-elementor-overlay-no\" data-id=\"78aceccd\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-122df616 elementor-section-full_width elementor-section-height-default elementor-section-height-default qodef-elementor-content-no qodef-elementor-stretch-row-no qodef-elementor-overlay-no\" data-id=\"122df616\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-742f9ca4\" data-id=\"742f9ca4\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-6d2c2e9 elementor-section-boxed elementor-section-height-default elementor-section-height-default qodef-elementor-content-no qodef-elementor-stretch-row-no qodef-elementor-overlay-no\" data-id=\"6d2c2e9\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-79a66ed9\" data-id=\"79a66ed9\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-183d8818 elementor-widget elementor-widget-image\" data-id=\"183d8818\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1500\" height=\"1125\" src=\"https:\/\/www.stresafestival.eu\/wp-content\/uploads\/2023\/08\/La_Fonte_Musica_Foto_ph.-Joselito-Verschaeve.jpg\" class=\"attachment-full size-full wp-image-30910\" alt=\"\" srcset=\"https:\/\/www.stresafestival.eu\/wp-content\/uploads\/2023\/08\/La_Fonte_Musica_Foto_ph.-Joselito-Verschaeve.jpg 1500w, https:\/\/www.stresafestival.eu\/wp-content\/uploads\/2023\/08\/La_Fonte_Musica_Foto_ph.-Joselito-Verschaeve-300x225.jpg 300w, https:\/\/www.stresafestival.eu\/wp-content\/uploads\/2023\/08\/La_Fonte_Musica_Foto_ph.-Joselito-Verschaeve-1024x768.jpg 1024w, https:\/\/www.stresafestival.eu\/wp-content\/uploads\/2023\/08\/La_Fonte_Musica_Foto_ph.-Joselito-Verschaeve-768x576.jpg 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3941968 elementor-widget elementor-widget-text-editor\" data-id=\"3941968\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>With a trip into the past we go back to the evening that changed the music of the western world. We are in 1624 in an unspecified Palazzo Mocenigo in Venezia during Carnival, when all the nobility are on show. On stage is the <em>Combattimento di Tancredi e Clorinda<\/em> presented by Monteverdi. This was a revolution \u2013 the first time the strings were used to evoke the noises of a battle. Since then in most operas and other compositions, like Vivaldi\u2019s <em>Four Seasons<\/em>, the instruments in use at the time reproduce the noises of nature and daily life.<br \/><strong>La fonte musica<\/strong> with <strong>Michele Pasotti<\/strong> on the tiorba and conducting have had this delightful idea to recreate the program which includes not only the <a href=\"https:\/\/www.stresafestival.eu\/en\/festival\/il-combattimento-di-tancredi-e-clorinda\/\"><em>Battle<\/em><\/a>, but some <a href=\"https:\/\/www.stresafestival.eu\/en\/festival\/monteverdi-matinee\/\"><em>Madrigali<\/em> <em>senza gesto<\/em><\/a> as well.<\/p><p>\u00a0<\/p><p><strong>La Sera del Combattimento.<br \/><\/strong>Michele Pasotti<strong><br \/><\/strong><\/p><p>One evening in Carnevale in 1626, in Girolamo Mocenigo\u2019s home in Venice, the guests were treated to a \u2018song of a type never seen or heard\u2019. Monteverdi says this in the preface to his VIIIth Book, betraying a surprising grasp of the fact that his <em>Combattimento<\/em> was unique. Not one to waste words, Monteverdi luckily spent a few to describe the composition, and gives indications on how it should be performed. His explanation (translated) reads: The Combat in music of Tancredi and Clorinda, described by Tasso.\u00a0 It is meant to be a sort of representation; after some <em>Madregalli senza gesto<\/em> it suddenly bursts into the music room.<br \/>So before the Combat, to heighten its theatrical aspects and novelty, a few non-representative madrigals were to be sung, <em>senza gesto, <\/em>in the room where the music was to be played, and this polyphony would give way to the drama in music, to the effects and sentiment. In fact, somewhere in the music room presibaly some distance from the madrigl\u00ecal singers, the \u2018representation\u2019 with burst in \u2013 the action, the theater, the gestures, the text of the plot.\u00a0 The two actors who, singing a few lines, break into this scene, where until then not much had happened<\/p><p>The story goes on: <em>\u201cClorinda \u00e0 piedi armata, seguita da Tancredi armato sopra ad un Cavallo mariano, &amp; il Testo all\u2019hora comincier\u00e0 il Canto. Faranno gli passi, &amp; gesti nel modo, che l\u2019oratione esprime, &amp; nulla di pi\u00f9 ne meno, osservando questi diligentemente gli tempo, colpi, &amp; passi, &amp; gli ustrimentisti gli suoni incitati, &amp; molli; &amp; il Testo le parole \u00e0 tempo pronuntiate in maniera, che le creationi venghino ad incontrarsi in una imitatione unita; Clorinda parler\u00e0 quando gli toccher\u00e0, tacendo il Testo; cos\u00ec Tancredi\u00bb.<\/em><\/p><p>It is clear to the musician and any \u2018person of the theater\u2019 (taken as the same here) and to whoever wrote this and practiced it, that naturally \u2018the harmony is servant of the oration<em>: l\u2019Harmonia \u00e8 serva dell\u2019Oratione.<\/em> <em>Gli ustrimenti, doveranno essere tocchi ad immitatione delle passione <\/em><em>del\u2019oratione; La voce del Testo dover\u00e0 essere chiara, ferma, &amp; di bona pronuntia alquanto discostra da gli ustrimenti, ati\u00f2 meglio sii intesa nel oratione; Non dover\u00e0 far gorghe ne trilli in altro loco, che solamente nel canto della stanza, che incomincia Notte; Il rimanente porter\u00e0 le pronuntie \u00e0 similitudine delle passioni del\u2019 orazione<\/em>.<\/p><p>These are instructions on how best to render this extraordinary, unclassifiable musical and theatrical experiment. This is how it must be done, says Monteverdi, and we respect this in our own representation. It helps that this desciption also brings to mind a memorable performance of the <em>Combattimento<\/em>. <em>\u201cIn tal maniera (gi\u00e0 dodeci Anni) fu rapresentato nel Pallazzo del\u2019 Illustrissimo, &amp; Eccelentissimo Signor Girolamo Mozzenigo mio particolar Signore. Alla presenza di tutta la Nobilt\u00e0, la quale rest\u00f2 mossa dal affetto di compassione in maniera, che quasi fu per gettar lacrime: &amp; ne diede applauso per essere statto canto di genere non pi\u00f9 visto ne udito.\u201d.<\/em><\/p><p>In the light of all this, faithfully following the trace left by Monteverdi with a reproposed <em>Sera del Combattimento<\/em> after the <em>Madrigali<\/em> <em>senza gesto<\/em> adds up to an attempt to refresh the sense of marvel and emotion this extraordinary composition aroused one evening so many centuries ago.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2213355f elementor-section-boxed elementor-section-height-default elementor-section-height-default qodef-elementor-content-no qodef-elementor-stretch-row-no qodef-elementor-overlay-no\" data-id=\"2213355f\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2347c35\" data-id=\"2347c35\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4d5538ac elementor-widget elementor-widget-image\" data-id=\"4d5538ac\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"330\" height=\"219\" src=\"https:\/\/www.stresafestival.eu\/wp-content\/uploads\/2024\/02\/Logo_Stresa-festival_verticale_nero-1.svg\" class=\"attachment-menu-thumb size-menu-thumb wp-image-30507\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>With a trip into the past we go back to the evening that changed the music of the western world. We are in 1624 in an unspecified Palazzo Mocenigo in Venezia during Carnival, when all the nobility are on show. On stage is the Combattimento di Tancredi e Clorinda presented by Monteverdi. This was a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":30909,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[151,149,142],"tags":[164,201,196,202,219,220,197,198,203],"class_list":["post-34021","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-eventi-en","category-news-en","tag-baroque-en","tag-larcipelago-della-musica-en","tag-lago-maggiore-en","tag-le-isole-della-musica-en","tag-madrigali-en","tag-monteverdi-en","tag-stresa-en","tag-stresa-festival-en","tag-stresa-festival-2023-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The trace left by Monteverdi: the same marvel from four hundred years ago - Stresa Festival Classica &amp; Jazz Lago Maggiore<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.stresafestival.eu\/en\/la-traccia-lasciata-da-monteverdi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The trace left by Monteverdi: the same marvel from four hundred years ago - Stresa Festival Classica &amp; Jazz Lago Maggiore\" \/>\n<meta property=\"og:description\" content=\"With a trip into the past we go back to the evening that changed the music of the western world. We are in 1624 in an unspecified Palazzo Mocenigo in Venezia during Carnival, when all the nobility are on show. On stage is the Combattimento di Tancredi e Clorinda presented by Monteverdi. 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We are in 1624 in an unspecified Palazzo Mocenigo in Venezia during Carnival, when all the nobility are on show. On stage is the Combattimento di Tancredi e Clorinda presented by Monteverdi. 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